Sunday, June 27, 2010

SABBATH ASSEMBLY

Perhaps, just perhaps, you read my review on Sabbath Assembly’s debut on the Halifax Collect blog. If you did you realized this is something I always wanted to witness. To be brought headfirst into something that existed only in the past. Or so you thought! Jex & Xtian rePROCCESSed the hymns and I managed to sneak in a few questions to them. I deliberately kept this short with the decision to force you to check out their hymns. Do it now!

Well, it was great seeing this project come together but how did it all come about? What was it that drew you to The Process and their views on the way to stabilize the essence of man? What are your personal religious views and how did that fit with this project?

Jex: There is so much about the Church that interests me - from the way it began, to their beautifully designed magazines, to the complex story of the woman behind it all. I relate to several of the teachings of The Process - teaching the importance of personal responsibility as a way to better navigate through life and teaching the value of self-unification. "LOVE SEX FEAR DEATH", a book recently published by Feral House, written by one of the Church's original members, is Timothy Wyllie's first hand account of what it was like to be a member of the Process. A member for roughly 14 years, I found his accounts very intriguing. Inside the book, were reprints from some of the original Process magazines (for which his book was named), photographs of members from all different chapters, and the sheet music to 3 original Process hymns. The Hymns themselves are very evocative, filled with imagery, and the melodies are beautiful. Many of them are praise songs to Christ, Satan, Lucifer and Jehovah all at once. This was something I had never come across before. The Process utilized these four deities to categorize the opposing sides of the self. We asked Timothy if he knew of any recordings that might exist and he said, to the best of his knowledge, they had never been recorded. With that, we began to conceive of "Restored To One". We played through the hymns (of which there are more than 60) to determine which of them felt like a good fit for us. We also contacted several original Process members, the ones we could find, and asked them which ones were their favorites. We continued whittling down the list of hymns until we settled on these. In connection with the release of the book, we were part of a recreation of an original Process Mass with the hymns set inside.

Xtian: I like the way you state your question: "...to stabilize the essence of man." One of the more important achievements of the Process Church was to point human beings towards an acceptance of their own wholeness. Traditional religious paths leave practitioners split, constantly measuring good vs bad, dark vs light, and thus caught in an ethical dichotomy. The stability the Process Church encouraged could be discovered only by taking an honest look at oneself, allowing for understanding of one's motivations and behaviors on the deepest level, peeling back the layers without fear or judgment based on a particular moral code and really learning about the self - which of course points the way to the Self. By means of this process one could move closer to the essence of humanity, and gain compassion for the instincts and intuitions of oneself and others - thus freeing us from the crippling cycle of self-judgment and judgment of others. This is the connection to my own personal religious view, which is that we all must be free of the mechanisms that weigh us down in anxiety, and these are most often moral....

You seem to believe strongly in the powers behind the hymns you have rePROCESSed, but what is it that you are trying to express with your creation? Do you believe that the teachings of The Process are needed more in our "got-to-have-it" now society than they were back when The Process was at it's prime? Does man need faith more now than back in the seventies?

Jex: Few people outside the Church had ever heard these hymns before.The ideas of the Process Church were unconventional and shocking in the late 60s/early 70's, but they are still pretty extreme even by today's standards. It was very important to us that our renditions maintain the authentic passion woven through them. My hope is that we were able to usher them into a place where their relevance can be felt today. To ignore our darker impulses is to remain blind to the truth. To take on shame for feeling these dark impulses is to punish ourselves for a thing that is natural. If an impulse is natural, whether or not to have that impulse is beyond our control. Therefore, we are best served if we make the choice to embrace all of the sides within us. This is not to say that we ought to act on all of our impulses simply because they are natural. Rather, it is to say that we are in control of how we choose to apply this knowledge to our daily lives. Acknowledging and comprehending personal responsibility is a timeless pursuit.

Xtian: It is difficult to assess how much faith people "need" in a given time because the outward display of faith has little to do with faith and more to do with performance. I think that we can know this answer only in the present moment by seeing what it is that we need as far as faith in our own lives; and what we feel will be similar to what others are feeling. We are existing now in a particularly empirical time characterized by a faith that the development of machines will move us towards a feeling of greater completeness. My intuition is that the vacuousness of this line of thinking is being exposed, and our faith will return to something invisible, something internal....

Xtian & Jex seem to be the core of the band with the rest of the members not as involved in the process of songwriting etc. As you have been using a variety of members in your live performances, will the line up that is now remain or will you continue changing members as needed?

Jex: We have been very fortunate to get to work with a number of talented musicians and have enjoyed having the freedom to play the hymns with these different groups of people and in a variety of different settings. It all helped to inform the sound. We hope to continue doing this.

While you rePROCESS the hymns you seem to stay focused on the era they were created in. Is there a possibility with further rePROCESSing that you will perhaps venture beyond the musical realms you are in now or do you feel most comfortable with the Sabbath Assembly where you are now? Have you set any plans for the future concerning the band or will Sabbath Assembly be something you will work on sporadically without any haste?

Jex: It was quite an experience working on these hymns. I feel honored to have helped them come to light for new ears. As for future recordings, could be... and as far as to how those recordings might sound... the hymns on Restored to One sound the way they do because as we continued to play the hymns, we continued to allow them to change. The sheet music is fairly basic and the more we played through the hymns the more we connected with them, the more we were able to bring our authentic selves to the music. As the hymns grew to sound informed by the bits of ourselves that crept in, we made sure to allow the passion woven into them to inform us of what they wanted to sound like. If we record any more Process hymns in the future, I plan to keep with that style of working. The future of the band is open.

Xtian: We will continue to work with these hymns so long as we find in them a sentiment that mirrors our own personal growth. The hymns we chose for Restored to One all had an immediate resonance with an aspect of our lives, so slowly now we are beginning to read through additional hymns and feeling for that same spark of connection.

Sabbath Assembly
:AJNA:
Restored to One

Wednesday, June 23, 2010


ENFORCER 
DIAMONDS


I discovered this awesome swedish band in early 2009 as i stumbled on their debut album „Into The Night“ from the year before and i loved them instantly. Enforcer are playing Heavy Metal, the way it should be played and i have to say, i havent heard anything better in this genre for the last decade.

In May they released their second album „Diamonds“ and it is simply awesome. If you wanna compere it to their debut it is maybe a little bit more commercial but defenetly not in a bad way. It starts with the crusher „Midnight Vice“, goes over „Katana“, which is my favourite song, to „Diamonds“, an awesome instrumental compareable to Iron Maiden’s Transylvania and ends with the catchy „Take Me To Hell“. The songs are as catchy and heavy as on their first album but also have some nice slow parts. All in all, defenetly your money worth so go and get it. Enforcer is also currently on tour so dont miss them, they are rockin‘ the hell out of you live, promise.

5/5

By Franz-Stephan Adametz

Tuesday, June 22, 2010


PROFANATICA
DISGUSTING BLASPHEMIES AGAINST GOD
Hell’s Headbangers


First a small confession, I haven’t heard anything by Profanatica since Ledney released the band’s debut under the Havohej moniker. I used to be a huge Profanatica nut and the stuff on the split with Masacre and the Havohej album pretty much did enough for me.

Now, since then the band has kept a low profile but released a bit like a split with Impiety and a full length some three years ago that totally went past me. Therefore I cannot compare this album with the debut, which was also released by Hell's Headbangers.

From the first second this album is like the second chapter to “Dethrone the Son of God”. “Black Cum” splashes on the tail of “...the Son of God” and from then on it’s as if the game is on, Profanatica is in it’s prime! Combining the old aura that was evident in the old recordings of the band with a production a bit similar to that on the “Black Perversion” ep of Havohej, Profanatica’s 2010 offering could well stand the test of time.

5/5

BY EYVINDUR GAUTI

Monday, June 21, 2010

1349
DEMONOIR

I was introduced to 1349 the summer of 2006 with the Hellfire album. A well produced norwegian black metal album that stars the legendary Frost on drums. They gained a great recognition with the record and I can honestly say that they are also a massive live band. They have the basic black metal costumes on stage; covered in corpsepaint, singer who always wears his ripped Hellhammer t-shirt and of course alot of smoke throughout the whole set. Well then. There was a great expectation for next album, Revelation of the Black Flame(2009) but unfortunately it wasn´t as good as their last albums. The main difference was adding dark ambience into their work with not so much of a success. If you are expecting a blasting black metal album with fast drums and evil riffs, you get dissappointed and you get tired of listening because of all the ambient instrumental songs.
But there was still hope for the future of 1349. Demonoir reached into the black light in may this year. Before the release they announced that they had worked really hard on the album with a help from Hellhammer/Celtic Frosts, Tom G. „Warrior“ and the result is, in my opinion, an excellent piece of work. Starting with a intro that leads to the „Atomic Chapel“ a catchy, fast song, especially when it slows down very early in the track, 0:37. It´s a special atmosphere, like entering hell. I can also mention When I was Flesh, a fast song with blast beats – classic 1349 song. Overall it´s a good album that leaves positive marks - but the only thing that drags the album down are the ambient instrumentals, „Tunnel of Set XII-XVII“. Anyway, Demonoir is a unique black metal album that´s worth listening to and stands out as one of the finest albums of the year.

4/5

BY GUNNAR ÖRN RUNÓLFSSON

BLEEDING FIST 
MACABRUM BESTIA EX ABYSSUS

When seeing the name of the band it’s hard to imagine that what you have in front of you is a black metal band. Sure, the never-fail latin album title is there but still a linger of doubt can be found.
There’s no doubt about it, however, when you put the album on what this is all about! Straightforward & violent Slovenian black metal. I can’t really put down any one influence that’s found right away, the band seems to be an omnivore when it comes to inspiration and what you find here is a little bit of the old jewels heavily wrapped up in new packages. There's a bit of Sweden here, a bit of Germany, some “Satan” here and there and to wrap things up a Hellhammer cover. Not bad, but not something there’s still a bit of time until Bleeding Fist will sweep me completely of my feet.

3/5

BY EYVINDUR GAUTI